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Review by n00b100
In fact, let's give that Hood its own paragraph - Hood immediately finds a minor/major key tension right out the gate, as instead of the usual delicate Hood soloing Trey alternates between more forceful solos and non-standard chords while Page does some fine piano work. The band then moves into a major-key space (reminiscent of the pre-woo 7/31/13 Tweezer jam segment), then Page moves over to the organ and Trey starts plucking out some hazy notes as Mike pushes forward more in the mix. Trey then hits on a really neat lick and things start building towards a very nice climax, Fish picking up the pace, then out of nowhere Page moves to the B-3 and we get a brief funky segment instead, *then* they begin to build towards another climax...and then Page returns to Hood's usual key and we return to Hood's usual zone for Ye Olde Hood Finale. All in all, it's another remarkable breaking of Hood's form, with every new idea moved into with grace and ease, and (one hopes!) a portent of 2014.
Final thoughts: tour openers don't have a particularly high bar to leap, and this show hopped right over it with room to spare. You can feel good, etc., etc.