This was the second show of the Lemonwheel festival. Trey teased Jean Pierre in Possum. Disease was unfinished. Fish alluded to Terrapin (“a love song about a turtle”) after a long HYHU intro but instead led the band into Sexual Healing. Antelope included Sexual Healing teases in the intro and a reference to “Bob Weaver” instead of Marco Esquandolas in the lyrics. 2001 contained Crosseyed and Painless and Super Bad teases from Trey. WMGGW returned for its first appearance since February 26, 1997 (103 shows). A fireworks display took place behind the stage in the jam out of Hood. The jam also featured Fish on trombone. Baby Elephant Walk was played for the first time since December 1, 1992 (514 shows).
Sexual Healing tease in Run Like an Antelope, Crosseyed and Painless and Super Bad teases in Also Sprach Zarathustra, Jean Pierre tease in Possum
Debut Years (Average: 1991)

This show was part of the "1998 Summer U.S. Tour"

Show Reviews

, attached to 1998-08-16

Review by n00b100

n00b100 Set 1: The Gin in this set, while obviously no Went Gin, has its own cool, trill-laden jam that picks up steam and then segues pretty naturally into Rift. Nothing else particularly stands out, although the energy is appreciated (like in the short Bag jam); like yesterday, this set feels like a warmup for what is about to come.

Set 2: DWD kicks things off with a typical DWD jam before getting funky and swampy, before Piper emerges from said muck and catches fire, the band rocking so fast that Trey trips over words (what few words there are) to keep up with the speed at which the song is being ripped through. Piper then goes into its old closing coda, before the band launches into Ghost (slightly disappointed they didn't try a segue), botching the start of the final verse during the song portion, then making up for it with a slow, sweet, Page-driven jam that you can shut your eyes and sway your body to, before a brief passage reminiscent of some of last night's jamming and a quiet transition into Fluffhead. Circus and Wading, then a surprisingly long HYHU (Fishman introducing the rest of the band is a droll joy) that actually hits a neat groove before they say "ah, F it" and go into Sexual Healing, which is the usual amusing mess (at least they figured out the bridge!). A sprightly, typical late-90s Antelope (Page gives those ivories one hell of a tickling) brings the set of the weekend - by a hair over last night's 2nd set - to a close.

Set 3: Sabotage, yep, then out of the closing chords comes a barrage of alien sounds, leading into a smooth 2001 that (again) invites comparisons to the Went's version; again, it's not as good as that definitive version, but it's certainly funky as all get-out (even the cool-down section is funky) and Page plays some really nifty twinkling notes over the whole thing. Wilson comes next, and justifies its placement with a heavy loop-laden middle section that also threatens to go ambient before "Blatt boom!" gives us the big rock and roll ending. The rest of the set is crowd pleasers and a great bustout in While My Guitar Gently Weeps, a fine way to close out the festival...

Encore: ...except it doesn't close out the festival. Harry Hood does, and after a fine but standard Hood jam the band goes into one final, dark and beautiful ambient soundscape, guitar loops and all, as fireworks go off and Fish favors (?) us with some trombone work, before (of all things!) Page starts up Baby Elephant Walk (best known by my generation for being Dancin' Homer's theme song in that Simpsons episode) and the band wraps things up in a giddy, charming high note (although what was up with Trey's guitar tone there?).

Final Thoughts: Neither show is the best of the summer by any stretch of the imagination (maybe 8/16 sneaks into the top 5?), but there are some fine moments and both nights' second sets should definitely be heard. And, of course, the Ambient Jam is a watershed moment for the band and it's almost malfeasance to not listen to it.
, attached to 1998-08-16

Review by play_it_leo89

play_it_leo89 Surely I can't be the only one who absolutely LOVES this Ya Mar > AC/DC Bag > Frankie Says trifecta ...

Right? I mean, it's blissful! Particularly that segue from Ya Mar into AC/DC - I was floored when I heard it live at Limestone, and sooooo very many years later I'm STILL as impressed. The whole thing just epitomizes summer.
, attached to 1998-08-16

Review by jezmond

jezmond I must reiterate that 3rd set. It's sending a message. That arrangement of those songs is purposeful, and that's why Phish is reluctant to take requests. I mean this concert took place on a shut down Air Force base! "No one alerted, you!...Look at you all!" LOL
, attached to 1998-08-16

Review by jezmond

jezmond All I gotta say is Sabotage -> Also Sprach Zarathustra > Wilson Dayum take a musical note! Then the exit of the Baby elepahnt. That's grand!
, attached to 1998-08-16

Review by fhqwhgads

fhqwhgads As is often the case with Phish festivals, the second day's second set is the main attraction (though I highly favor the Ambient Jam from the first day of Lemonwheel, too.) But Bathtub Gin in the first set is typically outstanding for Summer 1998, and Ya Mar has an interesting rendition found here. The second set, though, features a solid hour of music out of merely the first four songs of the set! Down with Disease and Ghost go some way towards integrating the stylistic innovations of the previous night's Ambient Jam into the firmly rocking signature sound we've come to know and love about Phish. The third set begins with Sabotage, which brings closure to the "Summer of Covers" (Summer 1998 often saw a new cover debuted at each show along the tour.) 2001 here is magisterial, but perhaps--depending who you ask--doesn't quite reach the sticky drama of the Great Went 2001 a year earlier. Then, finally, in the Encore you get another 30 min. or so of music, with Harry Hood -> Jam -> Baby Elephant Walk, another cover which is quite delightful to hear from Phish. I think Lemonwheel stacks up pretty favorably with the previous two 1.0 Phish festivals because it makes contiguous use of the "secret set," whereas Clifford Ball's Flatbed Jam was more of a surprising novelty, and the Great Went's Disco Set was not all that interesting, musically.
, attached to 1998-08-16

Review by phearless

phearless This is such a killer show from a phenomenal festival, I know this isn't much of a review, but the Disease>Piper is MUST HEAR FOR ANY PHAN OF FUNKY JAMS. Especially the last few minutes of the DWD jam, which is just straight cow funk.
, attached to 1998-08-16

Review by Ctrauth123

Ctrauth123 This was a while back, so I guess I could be wrong, but I believe this is the show where in response to "Harry" the crowd called back "Balls" in stead of Hood. It was being passed around on a flyer for quite a few shows before this one that next time the song is played everyone will call back "Balls". But I did not see that in the notes anywhere.
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